Music for
the spaces
in between

Atmospheric compositions that live somewhere between silence and feeling. Cinematic, intimate, unhurried.

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From live stages
to cinematic soundscapes

It started the way most stories do. A guitar, a borrowed amp, and the belief that music could say the things words couldn't. Growing up in Greece, I spent my nights playing live venues, feeling the raw energy of a crowd, learning how a single chord change can shift an entire room.

Somewhere along the way, the music turned inward. I traded crowded stages for quiet studios, layering textures and space instead of volume. The guitar stayed, but it found new company. Strings, piano, electronics, silence itself. What emerged was something atmospheric, something that breathes.

Now, after years of composing in the margins of a career in design, I'm finally giving this music the space it deserves. Distant Shores is the first single from an album that's been building for a long time. A collection of pieces that map the emotional distance between where you've been and where you're going.

Recording in the studio, early days
The early days
Performing live in Greece
Live in Athens
Distant Shores album artwork

Distant Shores

Single · 2025

The first release from an upcoming album. A meditation on longing and the quiet courage it takes to leave familiar ground behind.

Sad Goodbye
Preview from the album
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Composing at the intersection of emotion and space

By day, I lead design teams across London, Vancouver, and New York. By night, on weekends, and in the quiet hours that belong to no one, I compose. The two worlds aren't as far apart as they seem. Both are about crafting experiences, shaping how people feel, creating something from nothing.

My music draws from the cinematic and the intimate. The sweeping landscapes of film scores and the quiet vulnerability of solo piano. I'm drawn to music that gives you permission to feel something, that doesn't rush, that trusts the listener enough to leave space.

The album I'm working on is a collection of these spaces. Each piece is a scene, a memory, a feeling that didn't have words but needed a voice. The guitar is always there. It's where I started. But now it shares the stage with strings, keys, and the textures that live in between.

Influences

Max Richter
The emotional precision, the way a single phrase can hold an entire story
Ludovico Einaudi
The intimacy, the patience, the belief that simplicity is enough
Hans Zimmer
The scale, the architecture, the way sound becomes landscape